Which interface is right for me?
While all Metric Halo interfaces are multi-purpose, each has characteristics that make it shine in one use or another:
- ULN-8: Our top of the line, archival quality unit. The ULN-8 has the quality and features to handle the most demanding jobs. Perfect for everything from classical recording to the mastering suite, or any user that needs ultimate power and flexibility.
- LIO-8: All the audio quality of the ULN-8, minus the mic pres and +DSP license. Perfect for the editing suite, recording with your own pres or interfacing your analog console. In true MH style, the mics pres and +DSP license can be added if your needs change.
- ULN-2: Two channels of boutique quality mic pres in a small package. The ULN-2 is at home in the mastering studio as well as your home studio. Perfect for the discerning recordist who doesn't require high channels counts but demands high quality and appreciates portability.
- 2882: Eight channels of analog I/O that fits in your backpack. The 2882 is clean without being pristine and packs a lot of power.
Use the following table to see the notable differences between the interfaces.
| Feature |
ULN-8 |
LIO-8 |
ULN-2 |
2882 |
| Converter Technology |
2nd Generation |
2nd Generation |
1st Generation |
1st Generation |
| Preamp Technology |
3rd Generation |
Optional (1) |
2nd Generation |
1st Generation |
| Analog Technology |
3rd Generation |
3rd Generation |
2nd Generation |
1st Generation |
| DSP Technology |
2nd Generation |
2nd Generation |
2nd Generation |
2nd Generation |
| 44.1k - 48k |
√ |
√ |
√ |
√ |
| 88.2k - 96k |
√ |
√ |
√ |
√ |
| 176.4k - 192k |
√ |
√ |
n/a |
n/a |
| Channels of A/D |
8 |
8 |
2 |
8 |
| Mic pres |
8 |
0, 4, 8 (1) |
2 |
8 |
| Gain |
91.5 dB |
91.5 dB (1) |
72 dB |
42 dB |
| Jensen Option |
n/a |
n/a |
√ |
n/a |
| Noise floor |
117.9 dB |
117.9 dB |
110 dB |
110 dB |
| Insert points |
8 |
0 (8 sends) |
2 |
n/a |
| Dedicated DIs |
2 |
2 |
n/a |
n/a |
| Metering |
15 Segment Multicolor |
15 Segment Multicolor |
10 Segment Fixed Color |
10 Segment Fixed Color |
| Channels of D/A |
8 (plus headphones) |
8 (plus headphones) |
4 |
8 (plus headphones) |
| Output Control |
Digitally Controlled Analog |
Digitally Controlled Analog |
Analog (Monitor Outs), Digital (Analog Outs) |
Digital/Analog hybrid |
| Output Control UI |
FP + Computer |
FP + Computer |
FP Only (Analog) Computer Only (Digital) |
Computer Only |
| Monitor Controller |
Analog Domain |
Analog Domain |
Digital Domain |
Digital Domain |
| AES Digital I/O |
8 channels (single wire) |
8 channels (single wire) |
2 channels(2) |
2 channels(2) |
| Optical Digital I/O |
n/a |
n/a |
8 channels ADAT(3) or 2 Channels TOSLINK |
8 channels ADAT(3) or 2 Channels TOSLINK |
| Wordclock I/O |
√ |
√ |
√ |
√ |
| Multipurpose encoders |
9 |
9 |
n/a |
n/a |
| Tact Switches |
7 |
7 |
2 (snapshot selection) |
2 (Mute & Dim) |
| Gain Control UI |
FP + Computer |
FP + Computer |
FP Only |
Computer Only |
| Gain Control |
Encoder |
Encoder |
Switch/Pot |
Computer |
| Gain Style |
Digitally Controlled Analog |
Digitally Controlled Analog |
Analog |
Digitally Controlled Analog |
| 2d Card |
√ |
√ |
√ |
√ |
| Ultra-low Latency Mixer |
√ |
√ |
√ |
√ |
| Basic DSP Plugin Bundle |
√ |
√ |
√ |
√ |
| +DSP license |
√ |
Optional(4) |
Optional(4) |
Optional(4) |
| Number of channels to/from DAW over FireWire |
18 (5) |
18 (5) |
18 |
18 |
| Number of boxes per FireWire bus |
3@ 44.1 - 48 kHz
2@ 88.2 - 196 kHz
|
3@ 44.1 - 48 kHz
2@ 88.2 - 196 kHz
|
3@ 44.1 - 48 kHz
2@ 88.2 - 196 kHz
|
3@ 44.1 - 48 kHz
2@ 88.2 - 196 kHz
|
| Bus powerable? |
No |
No |
√ (6) |
√ (6) |
| DC powerable? |
√ |
√ |
√ |
√ |
| Power Switch |
√ |
√ |
No |
No |
| Audio I/O connectors |
DB-25 |
DB-25 |
XLR and TRS |
XLR and TRS |
| SMPTE I/O |
√ |
√ |
n/a |
n/a |
| MIDI I/O |
√ (7) |
√ (7) |
n/a |
n/a |
| Dimensions |
17" x 13" x 1.72" 432 x 330 x 44 mm |
17" x 13" x 1.72" 432 x 330 x 44 mm |
13.5” x 8.25” x 1.73” 343 x 210 x 44 mm |
13.5" × 11" × 1.73" 343 x 279 x 44 mm |
| Weight |
6 lbs 2.7 kg |
6 lbs 2.7 kg |
4 lbs 1.8 kg |
4.5 lbs 2 kg |
| Suggested retail price |
$5995 |
$3995 |
$1695 |
$1895 |
1: 4 or 8 channels of 3rd Generation ULN-R mic pres may be installed as a factory option or at a later time. 2: Switchable between AES and SPDIF. ASRC available on input. 3: ADAT does not support SMUX; operation is limited to 44.1-48 kHz 4: +DSP licence can be added for $699 at any time. 5: Firewire transport limited to 8 channels in each direction @ 176.2-192 kHz sample rate. 6: Interfaces may require a "jumpstart" to boot on some laptops. More information is available here. 7: MIDI I/O is for control surface connection, and not optimized for musical input
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